Showing posts with label LOTR. Show all posts
Showing posts with label LOTR. Show all posts

Friday, December 27, 2013

Curtain call - finished masquerade costume

And... It's posted!  Sewing has taken a back seat lately due to long work days and plenty of classwork on top of that.  But at least this was done in time for the Desolation of Smaug premiere (not that I went to it, but it's the thought that counts), even if it waited until two weeks later to be posted.

So, since I gave a ton of background in my previous post, this one will just contain a few updates.  I did reference the Rivendell musicians' gowns in construction initially, but in the end I more closely followed Thranduil's silver robe (especially in terms of fabrics, colors, and silhouette) with an Arwen/feminine interpretation (from FOTR, the farewell dress).  So it's a touch "Oriental" (stretching it a bit there), (more than) a touch "fantasy", and really not remotely historical at all except for the en fourreau back and the front pleating; but it's masquerade, so that covers it just fine.

Here's the fabric (the outside will be the side that reflects lighter; the other was too dramatic):

Here's the final outfit:





Just the facts…

The Challenge: 2013 HSF #22: Masquerade

Fabric: 4-ish yards 44" sage-silver brocade (poly-something); 1-ish yd 44" crepe-back satin (yellowish sage); 1930s green dress (HSF #21)

Pattern:  My favorite kind: sketch out a rough drawing, then make it up as you go along, draping and pinning as you go until it looks right-ish.

Year:  Um… fantasy.

Notions: Sage green polyester thread, a few pins (for the final photos)

How historically accurate is it? Not really at all; borrows from several eras, pure fantasy, really.

Hours to complete:  14-16 (sewing all those pleats was FUN)

First worn:  For these photos

Total cost:  Stash project.

And the making of…

Tuesday, November 12, 2013

Finally and fashionably (heh) late... HSF #21 - Green '30s glamour

Ok, finishing this gown took longer than I thought, and posting even more delayed than that... but it's done, so it deserves a post.

A little backstory on this dress, as it kinda happened as a result of another project/challenge that's in the works...  A while ago (June), I'd posted about the upcoming projects I wanted to do...  On that list, at the very bottom, is a "Mirkwood elf gown" in - you called it - green.  Lo and behold, more recently, an HSF challenge was announced for a Masquerade costume.  And an idea was born... I decided that the Masquerade costume would be the elf gown, but have some historical origins (1920s or '30s, due to the fabrics).  

Since the whole thing would be a bit much to make in two weeks, I decided to split it into two projects: the underdress (which could be historically accurate to an era) and the overdress (which could be pure fantasy with historical references/techniques such as an en fourreau back, and some sewn down pleats like the dresses from The Hobbit).  

So, I needed to find an appropriately historical gown to make (in green) for the undergown.  Initially, I thought this would have to be a '20s gown (or a purely medieval gown) due to the typical "elven" silhouette of long lines and draping from the shoulders, which I wasn't too happy about since '20s doesn't work well for me and I have plenty of medieval stuff already.  But... watching The Hobbit: An Unexpected Journey again, I paid special attention to the elves' gowns to see what the undergowns looked like, and had a pleasant surprise.  My original recollections were mistaken - the undergowns (female elven musicians, in that Rivendell dinner scene) were closer to the '30s in their silhouette/gown draping than medieval (barring the overrobes).  And if there's one "modern" historical era that I like the clothes for (and that the clothes actually look good on me for), it's the '30s.  So, now I just had to find an appropriate designer whose necklines and drapings were sufficiently "LOTR"/"fantasy"/"medieval"-ish that could pull off being the undergown for a (completely fabricated, since I haven't seen any previews of elven finery for H2) Hobbit-era elven gown from Mirkwood (assuming they all don't dress in leather and fighting gear all the time). 

And in my searches, I stumbled across Madeleine Vionnet, one of the designers known for bias-cut, bias-draping, and the more simple, elegant styles (with a mix/match of grecian and A-line silhouettes).  So, found two dresses that I'll be combining together into one: a 1936 gown that will be the chiffon overdress, and a 1936-38 gown that will be the model for the underdress (slight modification to the neckline of the bodice). 

I also found (on sale/clearance) a taffeta curtain of just the right shade of green to match the metallic leaf fabric for the Mirkwood dress.  The only issue: it was sewn into one of those valences that were all folds, so I had to take all of the stitches out.  Thankfully, it was all one sheet of fabric (instead of a bunch of strips, which would have stopped this project cold), and was a good size, too.  I also had some sage green chiffon in my stash that was originally intended for a reproduction Arwen coronation gown (yes, I was that LOTR-crazy at one point) but thankfully never got around to using.  So, that'll be the overdress for this and sewn in the style of the peach chiffon 1936 gown, while the underdress will be a halter top and bodice shape like the white-black 1936-38 gown but not covered with chiffon (and with a slightly different neckline due to how the fabric gathers).  I also happened to have in my stash this gorgeously heavy satin ribbon that was (I kid you not) the EXACT shade of pale green as the taffeta curtain.  I seriously could not have found the same shade had I gone out and searched for it, or dyed it myself.

So, here is the final product:  (taffeta pinned / taffeta sewn )


(full ensemble)





Just the facts!

Challenge: #21 - Color Challenge Green - 1936-38 evening gown, à la Madeleine Vionnet

Fabric: green taffeta valence curtain from Wal-mart red-tag clearance section (2yd by 2yd); sage green chiffon (stash) - 2yd of 54" fabric

Pattern: none; draped based on photos of extant gowns (linked above), with a few modifications for fit

Year: 1936-38

Notions: sage green polyester thread (from stash); 3yd satin ribbon (for taffeta dress sash, chiffon dress halter strap and edge binding on sides/back, and chiffon dress belt); silver florists' wire artistically twirled for the belt "buckle" of the chiffon overdress.

How historically accurate is it: hand-sewn (not that accurate for the '30s), polyester taffeta (pushing it), chiffon (ok, that works); based on a plausible combination of two actual dresses (could pull it off).  Overall, accurate enough to pass muster.  

Hours to complete: All told: 11-12 hours spaced over multiple weeks:
... the taffeta underdress took about 1.5 hours to drape/pin/sew, once the fabric was no longer a curtain (that prep work took another hour and a half), so total 3 hours;
... the taffeta bodice took about 3 hours (mostly draping and pinning to get it to fit right);
... the chiffon overdress took 5 hours (hemming chiffon, that is frustration), and then I hemmed the rectangle left over for a "wrap" like the matching one in the photo.
... the satin ribbon was too wide for both the tie at the neck and to edge the chiffon, so I cut it in half (width) and hemmed an entire side of it (for the tie) and sewed it onto the chiffon (as a border), which took a couple hours.

First worn: for these photos

Total cost: $10 for the curtain.  The rest came from my stash, thus "free" for this project.  But, in actuality... the chiffon was probably $3/yard (red-tag at Joann's years ago), and the thread was probably $3; the ribbon was a 3yd spool for about $3 (clearance); so, $12.  Not bad. 


And the making of...


Tuesday, May 21, 2013

Goldberry's dress - new and improved and FINISHED

After the disappointment of the darker green dress, the lighter (silvery-green) version went very smoothly.  I am quite happy with the overall look and the construction.

To start, I did a Google Image-search for cotehardies and 14th century fashion to determine silhouette, lacing styles, gore numbers/placement, and (most tricky) sleeve styles (since, once again, I had an idea of what I wanted to do and I wanted to see if it was even remotely historical - lo and behold, I found not one but several examples of sleeves that had the same 'look' - how it would be translated into a painting - as mine).  I used RomanticHistory's post about the construction of her cotehardie as a model for mine (except for the sleeves, since I wanted to do sleeves like on the darker green gown - not the super-narrow tippet-strips that are the most popular).  

So, without further ado, here is the final ensemble, the HSF information, and then (below the break) construction notes).


...yes, the curtain behind me to my closet has water lilies on it.  ...no, that was actually NOT intentional/deliberate to match the scene in the book of Goldberry surrounded by lilies (that just happens to be the curtain closing off my closet).

The darkest photo is most true to the fabric color.

The Challenge:  HSF#10: Literature.  Goldberry, from The Fellowship of the Ring, by J.R.R. Tolkein, as reimagined through a 14th century lens.
(Technically, due to the shapes used - purely rectangles and triangles - this also counts for the HSF#11: Squares, Rectangles & Triangles since at this rate if I want to make a 'princess'-inspired dress I will have to start on that now because I think it'll take a month.)

Fabric: poly-something that looks like a very thin fake silk, silver-green in color (like new white oak leaves); existing yellow linen hand-sewn long-sleeved shirt (1yd 54" wide fabric); existing ivory poly-something (same fabric as green) long shift (3 yd fabric)

Pattern: based on observations of historical artwork, combined with a basic pattern found on the internet, heavily influenced by RomanticHistory's construction of her linen cotehardie (except for the sleeves)

Year: later 14th century

Notions: thread to match the fabric, no trim; 24" of thin (5/8" width) ivory satin ribbon for lacing; 3yd modern gold floral ribbon for 'belt'; 1yd (three strands) golden florists' wire and thin red ribbom for circlet; (not really a notion, but... hand-carved white onyx goblet from Ten Thousand Villages - second favorite store ever, so have to put in a plug for them)

How historically accurate is it?  The look/silhouette is relatively accurate (though I'm not a fan of body-hugging clothes, so it's a tad looser than most of the paintings portrayed it), the fabric most certainly is not though it could pass for silk at a distance (both shift and overdress); linen shirt would be accurate.  Construction is accurate (hand sewn).  So, I'd give it a 40% with adding in accessories (circlet, ribbon strip 'belt', cup), shirt, and shift.

Hours to complete: 12-14 (that's hand-sewing for you)

First worn:  Only for photos; not yet for anything else.

Total cost:  Everything came from my stash (or else already made), so technically 'free' for this project.  I had bought the fabric for $2/yard a couple years ago (yay for red tag!), plus thread for $3 = $11.  With accessories... the gold ribbon was $4/yd, the wire was $5/roll, the ivory poly was $1/yd (best deal ever), the linen was $3/yd remnant, so add in $18 - $29 total for the entire ensemble.

Some more "in character" shots, and details of the final product, below.

The shirt and shift:


"Medieval" (non-accessorized" version:



Sleeves and skirt:



And a few more shots because this came out so well...:





And now, for the construction...

Sunday, May 12, 2013

Goldberry's green monster of a dress

Yes, the green UFO overdress dress is still giving me issues... So though I fixed and mostly finished it (just needs proper lacing), I'm not going to count it for this challenge after all... The fit is less than stellar, even with taking out and re-sewing all of the skirt seams, and it doesn't work with the image of Goldberry as I had hoped it would. She is graceful, the dress is not; she is elegant, the dress is not. *sigh*  It's not a bad dress, per sé, it's just more appropriate for a faire or something like that.

Thankfully, I have a back-up plan, though there is (yet another) time crunch (sadly, this looks like a pattern...).

I will recreate her silver-green dress as a medieval cotehardie instead, using non-period (though looks it, almost) fabric.  I was originally planning on a reversible dress using the UFO green dress and this other fabric, but since that dress isn't quite up to par, and I'm making the silver-green anyway, might as well just make it as it should be and on its own.

(Once I finish the lacing of the UFO dress, and making of the silver-green, I'll post photos on here for comparison purposes.)

Hello, Monday. :-)

Thursday, May 9, 2013

...and the challenge continues... HSF #10: Literature

So... the "flora and fauna" challenge was engaging enough that I'm going to try my hand at another.  And, yes, I have 10 days in which to do it. :-)  Again.  Hopefully this is just coincidence and not the beginning of a trend... (well, I will prolly have to bow out for a lot of the challenges this summer due to work and class, so guess I'd better get the sewing in now while I can.)

The next challenge in the Historical Sew Fortnightly is:
#10: Literature – due May 20. The written word has commemorated and immortalised fashions for centuries, from the ‘gleaming’ clothes that Trojans wore before the war, to Desdemona’s handkerchief, ‘spotted with strawberries’, to Meg in Belle Moffat’s borrowed ballgown, and Anne’s longed for puffed sleeves.In this challenge make something inspired by literature: whether you recreate a garment or accessory mentioned in a book, poem or play, or dress your favourite historical literary character as you imagine them.

The intent of this one is for it to be a literary (read: historical/period) source and/or inspired garment or accessory.  And, being me, I gravitate toward garments... So, after wracking my brain for something that I would love to do (one of Christine's dresses from Phantom of the Opera by Gaston Leroux - because now I can't read it without seeing the costumes of the movie; an Edwardian outfit from a favorite *fantasy* historical fiction novel; or a Regency dress like something Eleanor would wear) but can't due to time and learning curve...

I finally settled on something similar enough to what I've done before that doesn't require learning a new silhouette/pattern/style and therefore can be finished relatively quickly, and is something I have wanted to do but hadn't had a solid concept for exactly what it would look like before, AND (takes the cake) incorporates the use of (finishes) a UFO (UnFinished Object).  Tri-fecta.

And it is...