Making progress on HSF #12, the "princess" dress...

This is going a lot slower than I had hoped; I'd wanted to have the bodice fully sewn, boned, and lined by now so that I could pin on the trim.  Ah well, will have to make to with a few teasers... :-)

Here's the sizing version of the bodice (the lining) (front, back) - the two piece version (technically three, since the front is one, the back is two because I measured it and then cut it in half) with sleeve strips.  I placed pins how I'm going to do the boning/seams for front and back on the actual outside of the bodice.

And here's the sizing version worn and (partially) pinned closed in the back, with the skirt and appropriate hoops, stays, and chemise.  Will also need to make a bit of padding around the hips to make the skirt lie properly, but that can wait.

I have the front of the bodice pinned together with bones, but am not going to post pictures of it until the whole thing is done.  It looks more than a little weird right now, doesn't lie flat (due to the rigilene, grr), and since it's only the front I can't wear it, so it's hard to visualize what the full bodice will look like.  It's a bit longer than the lining, with a definite 'V' to the front of the bodice (like the peach silk gown), so we'll see how that bit of creativity goes... Here's hoping I can finish it this weekend.

For now, here's the HSF info, for the progress so far (will update it when I'm done, in the final post):


The Challenge: HSF #12: Pretty, Pretty Princess (a gown for Princess Victoria Adelaide in 1865)

Fabric: midnight blue poly-something satin (light weight) - 5 yards total, is my estimate, once the bodice is complete; will also have a black voile (polyester, sorry) overskirt held up in drapes, with a black voile berthe and black undersleeves (have 5 yards of the fabric, doubt I'll need half that since the voile overskirt will essentially be a long rectangle gathered at the top into a waistband under the bodice)

Pattern: self-designed based on the peach evening gown from the Met; bodice construction guided by the 1861-1864 bodice of the evening dress in Janet Arnold's Patterns of Fashion (modified the bodice point and ignored the sleeves; mostly for construction ideas and what the back looked like); and the 1867 skirt of the walking gown also in Janet Arnold's Patterns of Fashion (essentially as-is, since making one square per inch resulted in the measurements I needed)

Year: 1865; American Civil War

Notions: thread (so far); will have satin ribbon for some trim, and also a thinner satin ribbon for the lacing

How historically accurate is it?  The dress pattern and silhouette (midnight satin) is 90% accurate (slight modification of the bodice front so far, and the front panel was a single width instead of two with a center seam).  The fabric, being synthetic, is entirely inaccurate, but the satin weave is accurate to a degree.  The coloring is also accurate for someone of my age; and there were overskirts of black voile for a lighter gown, if not a darker one.  It's entirely hand-sewn.  The boning is rigilene (also inaccurate), and (to my knowledge) construction of the skirt is 100% accurate, while the bodice is maybe 60% accurate since I'm not lining each piece separately.

Hours to complete: so far about 10

First worn: only for the above photos and fittings

Total cost: at present, I'm using stuff only from my stash, except for the voile which I didn't have enough of, so bought a Wal-mart "sash" curtain (taking a page from the curtain-along book) in black voile for all of $15 - 6 yards, 56" wide.  When I got the fabric, it was about $5-6 for the entire 5 yards.  So far, $20 for a (fabric-ly historically inaccurate) ball gown.  Not bad.

Running a bit behind on posting HSF #11

I finished the 1860s chemise for  HSF #11 right before the deadline, but have been utterly swamped with work and class and, well, life that it's taken a while to post about it.  Sorry!

It came out really well, actually, and looks like a chemise of that period should (thank you gathering techniques), even though I only used a few rectangles and a couple triangles to make it.  It was harder to do it that way than to cut it to size/shape, but I think I might like it better.

The final chemise (front / back)... Sleeve position is not accurate for an evening gown (see picture below), but it can also be worn this way.

 

The Challenge: HSF #11: Squares, rectangles, triangles

Fabric: unbleached cotton, 2 yds

Pattern: self-designed based on photographs of extant garments and drawings from the period

Year: 1860s

Notions: thread

How historically accurate is it?  Since I couldn't find an exact match for it, but since it uses correct fabric and has the right neckline and body shape, I'd have to say 50%.

Hours to complete: about 5

First worn: only for photos

Total cost: maybe $3?  I bought the remainder of a bolt for $5, and there were 4 yards on it... plus a good portion of a spool of thread

And the final result, worn with corset (bought via etsy) and hoops (from costume "stash" / inherited in the 90s):

Here's a few close-ups of the outside (front / back) of the chemise:

...and of the gathering I did on the inside (front / back - the back is pleated):

HSF #11 - squares, triangles, rectangles... an 1860s chemise

In my previous post, I mentioned that I had found an 1860s chemise that (with a couple very minor - yet reasonable - alterations) could fit the requirements for making a project with (at most) one curved edge and whose fabric pieces are only squares, rectangles, and triangles.

Here is a real chemise that is closest to what I want to do, it's at the Met Museum: click here.

Here is an almost exact rendition (minus the small sleeves) of my chemise (no, I did not use this pattern, I used the picture of it as a visual reference): click here (it's the top one).

Another reference (1850s, but not unreasonable that a lady could have used the same style chemise for the 1860s and removed the sleeves): http://demodecouture.com/projects/eugenie/research.html

I do understand that this won't be an "exact" replication (in pattern/style) as an actual chemise that I found an image of, but given the silhouette, neckline, and construction style, it's not unreasonable.  I studied a variety of chemises from the 1850s-1870s (mostly through YWU articles on Victorian clothing/layers that I had downloaded a while ago, and also the Met Museum, as well as various bloggers' photos - such as Démodé Couture's, Katherine C-G's 1865 chemise, and one the Dreamstress had posted about).  In that study, I found a lot of commonalities in the 'body' of the chemise, and definite variety in the necklines and how they were added to the body - especially for evening gown chemises.  Since I won't be wearing it by itself, and it shouldn't be visible under the gown, it'll do.

I'm also making a short pair of drawers out of the same material.  I'll trim the legs with ruffles for weight and to extend the length.

Without further ado...

HSF #12 - 1865 midnight evening gown - the skirt

One good thing about a three-day weekend: there was more time than a typical weekend to not only get everything you need to get done accomplished (cleaning, laundry, homework), but also to get ahead on some sewing. (Though of course it's a couple days later before I can actually post about it...)

I'm almost done with the skirt for the 1865 midnight evening gown (except for hemming and the waistband fastening) - pictures below.

The next part will be to measure and cut/pin the bodice after I make an 1865 cotton chemise so I get the bodice neckline right (for the HSF #11 - squares, etc. challenge.  I have found a way to make a Victorian chemise without using curved edges and to still have it look like a chemise from 1865 that I found via the Met Museum's web site... and that is also based on a historical pattern... I've started on it and so far it looks reasonable).

Skirt pictures below...

HSF#12... 1865 dress for Princess Royal Victoria Adelaide Mary Louisa

Not quite finished with HSF#10... but already looking forward to the next project. :-)

HSF#12's requirements: pick a historical princess, queen, empress, duchess, etc., and create a dress that either she wore or could have worn.

Since I have an American Civil War ball coming up (September), I figured I would pick an 1865 ball gown.  It would need to be dark/black, since I'm trying to only use fabric from my stash for the rest of the year.  I originally wanted to do a dress for Queen Victoria, but all of the evening dresses (photos, paintings) I found for her were from at least a decade prior since she didn't go out in public after Prince Albert's death except for a few state occasions or official photos for various commemorations.  Plus, any evening dress she would have worn at the time would have been for a slightly older person than I am now and I want to be accurate in that context.  But, in my search for "queen victoria 1860s evening dress" I stumbled upon a few photos of another Victoria - the Princess Royal (Queen Victoria's eldest daughter).  Lo and behold, there were even a couple of photos of her in an 1860s BLACK evening dress (from the style of the bodice, skirt shape - round bell rather than elliptical, and sleeves - small/lacey, it looked like it may have been 1861-2 - probably in mourning for her father).   Plus, the dress is simple (as in, there aren't a million ruffles or fripperies to the nth degree; again, probably a reflection of being in mourning), which is what I was looking for.  Score, gown chosen - with a slight modification to the skirt (make it elliptical) and bodice (shallower bodice front point).

There are what look like two versions of a black dress: this (older?) one with bigger sleeves and a plainer skirt (with a few bows) and this (later?) one with smaller sleeves and skirt trim and edge ruffles.  The bodice looks to be the same one as a base, but perhaps it was modified and then paired with a different skirt?  Her hair is different (simpler in the first), so it's definitely photos from two different occasions.

My fabric is a poly-something that looks like a satin.  It's a dark slate blue, almost black and is on the thin side, so will definitely need to make a dark petticoat to wear under it.

The pattern I will use is from Janet Arnold's Patterns of Fashion 2.  The skirt will be based on the 1865 day dress (so it's elliptical), and the bodice will be slightly modified from the 1861-4 evening dress pattern (i.e., much shallower front point) to look like the 1865 peach silk linked below.  I have exactly 5 yards of fabric, so I have no wiggle room for mistakes (but, yay for multi-piece Victorian bodices that one can squeeze in between skirt panels).

For visual reference of the base bodice/skirt construction/shape, I will be using this peach silk (1865)  from the Met Museum.  Nice, simple, elegant lines, and the ability to zoom in closely to see seam placement is VERY helpful. :-)